That Floating Excrement Was Far Too Symbolic! These Are the Television Letdowns of the Year.

As we consider the TV offerings of the past year, a handful of series emerge not for their brilliance, but for their notable failures. Ranging from awkward sequels to confusingly poor docuseries, here are the programmes that had us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Burdened with woeful scripts, painful arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to find its footing. Briefly, as the third season started, it seemed as if it had at last hit its stride. Then arrived an episode centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the final series. It ended on a low point; the lingering shot of Miranda’s loo flooded with poo was just way too on-the-nose. Still, viewers certainly found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who didn’t let out a little sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the least of this drama's issues. The subject of a exceedingly uncommon zero star review, it was hard to know where to begin listing the problems. The hilariously wooden dialogue? The tedious veneration of affluence and consumption? The seemingly deliberate parade of cliches? Performances so poor they felt almost malicious? Suffice it to say “each and every one” and never speak of this series again. However, a new season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, abuse claims and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this three-part documentary which chuckled along at Sheen’s various bouts of reckless hedonism while struggling to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being pandered to, so any pity this show might induce should be saved for the people who have had to suffer close contact with this charismatic but dismissive narcissist.

The Iris Affair

Naturally we knew it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

MobLand

Shady characters meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

Actually, that is unfair on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t endure the ignominy of having to accommodate unconvincing dialects. But there were many other problems. Mainly that it was just profoundly dull; a dispute over drug-selling territory between various cockney rogues which seemed a bit basic.

With Love, Meghan

Considering the degree to which she provokes the ire of the nation’s ostentatiously enraged commentators, it’s temptingly easy to admire the Duchess of Sussex’s televised ventures into twee homemaking as deliberate provocations. But then you watch them and are forced to concede that in this case, they might have a point. It’s like watching a homeware catalogue animated; a meme for wine o’clock with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark sayings and forgettable crafting “hacks” you’ll forget instantly. All supported by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about both Victoria Beckham and her struggles with career, identity, self-acceptance. But for some reason, this three-part series chose not to say them. Rather, the viewing was akin to reading a marketing brochure. She obviously has every right to resent what she describes as her “stern” image. But unfortunately, she didn’t do herself any helps with this cagey letdown of a series.

The Game Show

It had the potential to be the next big hit – except even more extravagant, with a famous star playing dead and a sharp-tongued personality overseeing her estate. What more could you want? As contestants competed, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s still too confusing to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a production that was trying way too hard to emulate something way beyond it.

Too Much

How does one succeed a show that captured a generation? The pressure was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of famous cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the smart inclusion of gifted younger comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The writing room sketches, in contrast, simply provoked the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled with care. Rather, the series laboured awkwardly to find the right voice, lurching from strangely breezy, slightly mannered farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Very much so.

The Maths Genius Thriller

We admire the star … but did we buy him playing the greatest maths genius since, a man so smart he’s on the verge of a discovery that could destabilise society? No! This globe-trotting thriller about government agencies targeting – and killing off – intellectuals frankly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for explicit exploits as she undertook her biggest feat yet. What on earth would motivate her? What we craved was way more examination of her actual psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to haul her son out of the queue. What we got was horrific shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Renee Williams
Renee Williams

A tech enthusiast and digital strategist with over a decade of experience in analyzing emerging technologies and their impact on society.